A Conversation with Chris Dane Owens on Money, Creativity, and Self-Funding Art

Believing in Miracles: A Conversation with Chris Dane Owens on Money, Creativity, and Self-Funding Art

Today we have something truly special for you.

A few months ago, we had an opportunity to talk to an artist who’s been an absolutely iconic figure in our lives. Longtime readers know we are obsessed with Chris Dane Owens. His self-produced high fantasy rock music videos grabbed us at a formative time in our lives, and they’ve never let us go.

We first encountered Chris Dane Owens during our college years as roommates, when his viral hit music video for Shine On Me (2008) blasted across the duct-taped screens of our Dell Latitudes. Its radiant awesomeness pierced the clouds of our cynical art school education, which in the early aughts was insisting that art could only be good if it was gritty and brown and serious and rEaLiStIc. And to this day, we play its followup Light Speed (2014) before every speech and public appearance to pump ourselves up and appear effortlessly high energy.

Eventually, our superfanning caught his attention, and he magnanimously offered to come on our show. Our producer Ducky had to physically push our souls back into our bodies.

Today we’re thrilled to share that conversation.

Now, if you’re thinking “Eh, I’m here for the personal finance and career stuff, I’m gonna skip this one,” STOP! We talked about so many issues that matter to our readers.

  • How do you balance the soul-restoring work of creative endeavors with the draining but necessary work of paying bills?
  • Why does doing art on a part-time or hobby basis make us feel like failures or sellouts?
  • How do you identify the cross-functional skills of day jobs and passion projects that make you better at both?
  • Can you still grow and improve as an artist during times when money and work take priority?
  • If the work you want to do can’t be done alone, where do you meet collaborators and supporters?
  • How do you sustain a creative effort over a long period of time?
  • How do you fit self-funded art into a normal budget?

Chris provides a lot of honest and thoughtful answers to these questions, and more. We’re so grateful to him for his time and insights. We hope you enjoy listening half as much as we enjoyed making his episode, because it was easily the most fun we’ve ever had recording our podcast.

You can find Chris Dane Owens’s music on your streaming platform of choice. His YouTube channel has all of his legendary music videos. (If you haven’t seen them, have you even truly lived?) And if you want updates about his upcoming FEATURE FILM, Empire Queen, you can find links to videos, sneak peeks, and social channels for Facebook, Instagram, Twitter, TikTok, and more at EmpireQueenMovie.com.

Special thanks go to Chris for so graciously appearing on our little podcast, and to our producer Ducky. Recording with guests always adds an extra layer of challenge, and she rose to the occasion!

Stop Undervaluing Your Freelance Work, You Darling Fool

Like many Millennials, I’ve got multiple income streams, including freelance work. At my day job, I work for a salary that I negotiate upwards every so often. But as a side-hustlin’ freelance editor, I set my own rates and negotiate directly with individual clients for each new job.

This means I’m in a position of awesome power with every freelance customer. Like Ursula the Sea Witch, I can name whatever price I like. And if the client wants both legs and a hunky prince, they’re going to have to give up their beautiful singing voice or THE DEAL’S OFF.

Ursula the sea witch knows the value of her freelance services.

But what if the client can’t afford my price? What if they find my freelance rates completely unreasonable and expensive compared with industry standards? Or what if they’re bargain hunting and willing to work with someone less qualified for a steeply discounted rate? What if they’re really nice and I feel uncharacteristically sorry for them?

What if instead of their beautiful singing voice, they’re only willing to part with the sound of their burps? Or the noise they make right before yakking up last night’s vodka tonic? Their impression of Marlon Brando in The Godfather? What then?

When you set the price for your own work, there are innumerable reasons you might be tempted to lower it. This is a way of undervaluing your own work, and trust me my beauties, it is not worth it.

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Should Artists Ever Work for Free?

Should Artists Ever Work for Free?

I’m an artist. I am well paid to do my job. And I am way, way rarer than I should be.

There are a lot of historicaleconomictechnological, and cultural factors that keep the perceived value of art lower than that of professions that require comparable education and practice. Unfortunately, there ain’t shit you can do about historical, economic, technological, and cultural factors. But you can refuse to contribute, on an individual level, to the devaluation of your chosen industry.

The easiest way to do that is to refuse to work for free. Here’s why.

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